Thursday, April 17, 2014

To the Same Musician. Another Poem

Sur le même sujet
Sometimes, I feel drawn to you
As an arrow towards a goal
But each time I attempt my bow,
I miss
It is not that
My aim is bad
But rather, my unsaved friend,
That you do not yet
Live

by Catrin Lewis, March 1985

Wednesday, April 16, 2014

To A Musician. A Poem

On Not Facing Reality – As Usual
What then, if I should do this foolish thing
And leap into the gulf between gray earth
And all my yet unwrit eternity,
And what if plea of yearning spanless dearth
Of music pulls me unsupported on,
Preferring dissonance, some sound absurd,
Uncertain harmonies to dull accord,
To dry-cut unisons, too often heard?
What if I brace and step into the mist
To grasp a ghost unknown outside a dream,
And wide-eyed, bring a figure vaguely-drawn
To phantom view, and paint what it would seem
Aside from any cool reality?
And feel and touch what only in my mind
Has flesh and bone and solidness of light
And take to heart a thing of unsure line?
Oh God! what then? Could I not fail to fall
Into abyss sans dream, sans light, sans sound,
And would my folly be the only line
To noose me up, a slipped and tightened crown?
Or would I, credulous, go forth to live
These imaged lines, all treachery above,
Called forth from void to firm reality
And Heaven save the mark! find you to love?

by Catrin Lewis, March 1985

Friday, April 11, 2014

Meanwhile . . .

Rewriting, rewriting Free Souls, going all the way back to Chapter 9.  Raising the stakes for my MC and strengthening her motivation to do all this dredging up of her past.   Lots of good, clean, obsessive fun.  Who knows when it will end?
Meanwhile, here’s a random old poem (wish it were a new one, but the Muse distributes her gifts as and where she will) to keep the pot boiling.
It’s called . .  .
Lunacy
To him I’d give the diamond stars
If I could steal them from the night
To forge a chain for his delight
To hang my pendant heart upon
And though a thousand nights were gone,
I’d swear they’d shine as virgin gold:
Through sober days a millionfold
My love as faithful would remain.
But there’s a wildness in my reins
Tonight that seeks the wind’s embrace
And as the clouds give manic chase
I’d seize the moon, to make it yours.
One lunic night to run this course
And laughing, let this milky pearl
Become our toy, the ball we hurl
As evanescent link between.
And then becalmed, I shall be seen
To forge my chain by light of noon:
With you, caprice by fleeting moon;
For him I work the durate stars.

by Catrin Lewis, February 1995; all rights reserved

Thursday, April 10, 2014

And It'll Never Bring Me a Dime

More thinking, more critique forum input, more thinking again about my problem-child chapters in my work-in-revision Free Souls.
One reason they’re weak, I’ve decided, is because they’re trying to answer the wrong question.  I’d had my main character verbalize it as “Why am I so afraid?’  That misses the mark.  The real issue for her is,
“What do I love so much about the status quo between myself and [the hero], and why am I afraid for it to change?’
That got me thinking about what her status quo is.  Ah, yes, she’s his office wife.  No sweet nothings and no actual sex, but plenty of secret thrills for her whenever they’re working literally close together.
This poses a question for me, the author:  Do the prior relationships I’ve given her logically bring her to a point where she’d settle for that and not want to see it jeopardized?
Yes.
Next question:  Does she have a reasonable fear that it might be jeopardized, as the draft is currently written?
Hmmm.  Come to think of it, I don’t know.  Where did we leave her in Chapter 9?  The hero has paid her a personal compliment or two; he’s offered her a promotion and she’s grudgingly accepted it.  Maybe she’s just borrowing trouble when she fears that either of those will disturb the homeostasis she has established!
Ooooh.  Not good drama.  Not effective in holding the reader.
Let me think some more.  How to ramp up the drama?
Well . . . I could expand a couple of paragraphs in earlier chapters of the book, to make readers more aware of the happy status quo with the hero and how much she enjoys it and what’s at stake for her if it ends.  Don’t spell it out, show it.  Yeah.
And maybe I could intensify the conflict in Chapter 9, in the car where he offers her the promotion.  Leave her acceptance of it up in the air, and make it clear that if she refuses, things will not go back to the way they were.  That should increase and justify her anxiety.
That might do it.
You see what this means, don’t you?  Last November when I started serializing this old novella of mine on my WordPress blog I figured I’d slam it up, with a little tarting up here and there. I wasn’t going to publish Free Souls anywhere else.  I can't market it for publication, since it's available online gratis.  Now here am I, treating it like a real work of art.  And neglecting my “real” novel, Singing Lake Farm.  
I’m committed to this stupid book, chained, stuck, and my income tax return isn’t even done.  
Aaaaaaaaagggghhhhh!

Tuesday, April 8, 2014

De Finibus

Why do I think of quarries
when I think of you
Why of gravel pits
Abandoned, with
Holes of gray useless pebbles
Churning
In murky pools?
Why touch I jumbles of cold
hard things
Ground
By a blank north wind?

Why do these thoughts
Come from nowhere
And lead
To Nothing?

Nothing makes his own reply
I’ll take the stones
And hurl them
Deep deep
down
Within

Till all sink from sight
And I am

Cold and hard and blank
As you.

_________________________
by Catrin Lewis, April 1985; all rights reserved

Monday, April 7, 2014

Some Spinning of Wheels

Logically-speaking, I should have posted Chapter 19 of my novel Free Souls by now.

But I'm not happy with Chapter 19.  Or Chapter 20.  I don't want them on this blog till I am.

So the other day I posted them for a critique on a writers' forum website.  And boy, are they getting a reaction.  Yes, I've received some general suggestions for improving the presentation.  But most of it has been on subject matter and content.  And misinterpreting the content due to the absence of the chapters immediately preceding.  And going into the responders' personal experiences with the content.

Wow.

I'm spending more time untangling and responding to the responses than I am rewriting the chapters.

The responses have been helpful in showing me what's not working.  If what I'm saying is being misinterpreted, I have to convey it better.

I'll keep on it.  In the meantime, you might get some more poems.

Saturday, April 5, 2014

Free Souls, Chapter 18

"Damn!"
Sandy looked with disgust at the empty plastic container.  It was 3:00 AM one night a week or so past the middle of April and she had a project due at noon that same day.
"What is it?" asked Mike, who sat the next table over.  "You put a hole in your vellum?"
"No, I'm out of F leads.  You have any I can borrow?"
"No, I prefer HBs.  The store downstairs should be unlocked, with all the studios that have deadlines tomorrow."  He grinned.  "They trust us not to steal the place blind, I can't imagine why!"
"I guess so," Sandy said.  "Thanks."
She ran down to the basement, alone, to buy what she needed.  Her money had just clinked into the lock box on the counter when she turned and there was Jeff Chesters, of all people, standing with his hand on the knob of the now-closed door.
“Well, well, well,” he drawled, in a voice that was slightly slurred. “If it isn’t little Sandy Beichten.”
She couldn’t speak. Immediately she knew it was all wrong. This wasn’t how it was supposed to be, how he was supposed to be.
“Hi, Jeff,” she finally managed to croak out. “I, uh, came down for– I mean, congratulations on your– I have a deadline, I need to– ”
But before she could move he’d taken three strides across the little room and had pinned her against the wooden counter. “Little Sandy Beichten,” he said again. “I’ve seen how you look at me. You’re horny for me. You want me, don’t you?”
She shook her head dumbly. Not like this. Not like this!
“You’re lying,” he said, his face close to hers, his voice rasping in her ear. She could smell the weed on his breath as the stubble of his beard abraded her cheek. “You want me, and tonight I’m going to give you what you want, right here, right now!”
She was trapped, bent backwards between the hardness of his body on one side and the cruel edge of the counter on the other. She tried to push him away but he caught her wrists in a single iron grip.
“It’s no use trying to leave,” he said with a leer. “I locked the door, the key's in my pocket, and there’s nobody down here anyway.”
Even so, she tried to scream, but her voice, her limbs, every part of her was paralyzed. Her breath came in short gasps; no, of course she couldn’t breathe, he was pressing the breath out of her. Pinning her arms behind her, he shifted his weight and thrust his hand into her jeans.
It couldn’t be happening. Gone, flown into non-existence were all the romantic visions of art and love; she only knew this outrage couldn’t go on. “You like that,” he was muttering. “And that, don’t you? Your first time, isn’t it? I can tell!” His other hand was entangled in her long hair, tilting her head painfully back; he was trying to kiss her, and the marijuana smell from his arrogant, wet-lipped mouth was making her retch. She tried to turn her face away, and as she did, out of the corner of her eye she saw an open X-Acto knife lying on the store counter. Absorbed by his own performance, Jeff didn’t notice as she wrenched her right arm free, grabbed the razor-sharp blade, and plunged it with all her strength into his left biceps.
He screamed in pain and jumped away from her. “You filthy bitch!” he said, his tone low and ominous as a snake ready to strike. “Just for that, I’ll tear you. I’ll tear you bad!”
“Hey, what’s going on in there?”  A male voice, out in the corridor.  Whoever it was shook the door handle, trying the lock.
Sandy held the blood-smeared knife up where Jeff could see it. “Leave,” she said in a whisper. “Leave now, or I’ll scream. Or I’ll cut you again.”
Clutching his bleeding arm, Jeff looked at her hard, as if to decide if she really meant it. Then he called to whomever it was outside, “It’s ok, I just tripped over something in here, nothing serious. Door must’ve locked on me when I came in, sorry.”
“Chesters, is that you?” the voice said again. “We were looking for you. We’re going to make a donut run. You in for it?”
“Sure,” he responded easily. “I’m right behind you.” In the corridor, the footsteps shuffled. Thank God, whoever it was was waiting.
Sandy stood out of the line of sight of the door as he opened it and stepped into the hall. As he did, he turned on her a look of sheer hatred, then he was gone.
She was never sure how she completed her design that night. She only knew that that night and the rest of the semester she threw herself into her work, trying to blot out the memory, trying to forget.
She never told anyone what happened, not even Tracey, certainly not her friends back home. And neither, to her knowledge, did he. She had no idea how he explained the wound in his bicep and she didn’t care. A month or two later he graduated and moved to New York City or someplace she never intended to work, and now she could only wonder how many other women he’d abused in the same way in the years since then.
She should have reported it, she knew that. But back then, at eighteen, it simply wasn’t possible. She had been afraid she’d be expelled for stabbing him. And even without that, how could she let anyone guess what Jeff had taken from her? The attempted rape of her body had been appalling enough: the destruction of her dreams was more unbearable still.
______________________________
by Catrin Lewis, 1983; revised 2013 & 2014.  All rights reserved